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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院野蛮之徒广告狂人第二季地狱之手东京之女俄罗斯野生老虎等待超人变身男女2011第五波四十雀激战奇轮2元龙第二季睡不着神秘夫妻球爱神助攻女仁医唐宫燕绝望写手第二季机甲学员蒙太奇太空先锋上海滩之风云正道永不回头2018镇伏司·火神之怒摇摆乐时代激战食人虫奶爸的爱情生活
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院野蛮之徒广告狂人第二季地狱之手东京之女俄罗斯野生老虎等待超人变身男女2011第五波四十雀激战奇轮2元龙第二季睡不着神秘夫妻球爱神助攻女仁医唐宫燕绝望写手第二季机甲学员蒙太奇太空先锋上海滩之风云正道永不回头2018镇伏司·火神之怒摇摆乐时代激战食人虫奶爸的爱情生活